Freitag, 25. Mai 2007

Fluoreszierende Urgeometrie auf altem Teppich von Peru

Fluoreszierende Urgeometry auf altem Teppich von Peru. Gewobene Wolle welche bei UV-Lichtstrahlen leuchtet.
Bei all meinen Kontakten und in der Auseinandersetzung mit der Handarbeit und Gewebe der alten Kulturen Suedamerikas, fand ich immer wieder Material, Fäden, welche im UV-Licht leuchteten.
Da die Wahl der Farben fürs Gewebe meist Komplementär ausfällt und so schon einen Leuchteffekt erzeugt, ist wohl anzunehmen, dass diese bei speziellem Lichteinfall leuchtenden Gewebe bewusst so gestaltet wurden.

In fluorescence colored alpacua wool waeved tapis with the design of symbols out the primal geometry on it.

History and found of fluorescence tradtionell art by handwork in old culture.
old Tapis with weaved symbols in blacklight.
In UV-light Shining symbols founded in nature of primal geometry by Indios.
The fluorescence effect in traditionell art must be long time bevor in cultures of South America.

The shining colors gives a spirit of life. Nativos prevors powerfull and lighting colors in combination of complementary colors. In most of religions, the sacred vision is a special shining of matter, or lighting in the air.

2006 found of blacklight cord in normaly foodshops by Nativos in Caraiva Bahia Brasil. The effect of fluorescence you can see in nature, by animals, insects and flowers. In old tradition handwork like waeved textil of Indios in South America with inspiration from Nature by symbols and colors. The Nativos made the colors out pigments of plants and earth by self. In the prozess of winning the colors out the plants they took urine of youth, bevor men. The experiment if you dry urine its builds fluroescence shining material must learn them more about the fluorescence on natural way by action of everyday in traditionell work.
Michaelis an Italien artist, where is living more then 20 years at the Coast, in Forest and in the Mountains of Brasil, told me about found of special lighting moments at everyday in Nature. In the morning bevor sunrise and in the evening after the sunset there is a special concentration by UV-light to see the fluorescence effect of the lighting colors.
In Brasil is written in books of arthistory ; the Impressionism was found by seatravel of Eduard Manet 1849 in the harper of Rio de Janeiro Brasil. By the overshining light, he did study the light and shadow by reflection in the sea.
By this view he did found the special technique Pointilisme.
A new construction for paintings to work only with lighting points.

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